Throughout their daily activities, people face objects that reflect the refraction of all the surrounding in their vicinity, images of a very large diversity of shapes and sizes, and that are combined and layered in unlimited manners.I am in love with these images. I love the image reflected in the large window of an urban bus that seems so much like a cinema screen, the city billboards, the dynamic reflections of the rain, the mutated image of an ambulant street seller by modern city cars, the multiplied green feeling due to the pots and the flowers in the balconies. In the meantime, trash bins and beggars, even when the city is under an icy curtain, seem not to be affected at all. Nude, in this hazy reflection, becomes more puzzling and unreachable, as it was from a world beyond .......These images, after clashing with each other within the urban multiplying mirror, achieve to synthesize our violent world by scarily downsizing it .............But the opposite happens in the city stainless steel columns, where individuals are stretched and everything blindly follows him.

Following this extreme duality game, where the movie director plays with randomness while playing his movie into infinite, I decide to select and interpret all these sequences in the canvas.  

Gjergji Meta (XHOXHO)